It's Holy Blood ... The Church of Santa Sangre

Adiós mujer, adiós para siempre, adiós .... (from La Barca de Oro) is heard when Guy Stockwell as the Father, Circus knife-thrower
Orgo, El Gringo is stumbling out to his death in a puddle of blood surrounded by thirsty dogs and indifferent onlookers in a square
somewhere in the more rough parts of México City.
This melody perfectly suits as a frame to the unforgettably macabre and poetic requiem that is Alejandro Jodorowsky's Masterpiece
Santa Sangre, a very special film if not unique with Chilean Jodorowsky's latin iconoclasm within the magic film of México and with
a whiff of European Euro horror, as Claudio Argento (the younger brother of Dario) was the Italian producer of the film.

When this film was released in 1989 i had been a collector of cult movies on VHS since a couple of years and i read many of the genre
magazines, as i.a. Fangoria, and there was a buzz around Santa Sangre and it became an immediate sensation and a cult phenomena.

VHS and NTSC - a small Detour

On the small pic above the US VHS video edition of Santa Sangre can be seen and i think i bought it in 1990 and in a fine uncut edition.
Buying VHS from the US was a very expensive hobby back then, and as they were of the NTSC color system and european VHS players
at that time did not yet play NTSC properly, you had to buy a very costly multi-player VHS and maybe even a multi-system TV too.
But pretty soon the video players managed also NTSC.

I remember the first US VHS i bought, and it was Russ Meyer's Cult Classic "Faster Pussycat, Kill! Kill! which i ordered from The Man
himself (he still handled his merchandise by himself then, and he looked to that the picture quality of his videos were top notch, some-
thing that sadly deterioated later when he got ill and others took over the RM film bussiness).
This was 1986 or 1987 and as i did not have a multi-system player and TV by then i didn't know how to watch it ? The solution was to
visit a Sex shop in Stockholm who imported US porn and had the monitors and players to show it. I had to beg the disbelieving staff
to play my video to me (pay them too) and then had to watch it sitting in a disgusting booth. Yuck, yeah i really wanted to see this Meyer
Masterpiece that bad, and i was blown away by Tura Satana.

OK back to Santa Sangre now ....

The Lovely Talented Mexican Actress

I do love the Magic of Méxican film and i do love the talented Méxican actress Blanca Guerra (born 1953) and she's beyond Great as The
Mother, beautiful and charismatic and radiating a powerful aura. I remember watching this film with a Honduran girl, not used to watching
strange psychotronic films like this, and she shouted in disbelief .... Hey, that's Blanca Guerra !
Lovely Blanca was/is an actress well known in Latin America from films and Novelas, and at this time in the early 1990's probably most for
her Tele Novelas. Well, Blanca probably hadn't made a film as strange as this before (?) and she really chewed up the celluloid in this role.

According to Alejandro Jodorowsky she grabbed the balls of his son Axel Cristobal Jodorowsky during their many close scenes, and i
wonder how he avoided getting a Boner with a woman like Blanca pressed against his crotch for big parts of the film. Yeah, you have to
see the film to understand, as Axel is a trained Mimic and he manages her arm movements in the film, a very, very unusual performance.
Allen Jones did not ask Alejandro Jodorowsky about this in their audio commentary, but i have a hunch that Alejandro would've liked
that question and maybe have given a colorful reply, true or false.
There is a scene (about 82 minutes in) when Fenix (Axel Jodorowsky) kisses Concha (Blanca Guerra) on her neck, and you can hear if
you listen carefully that he "aroused" whispers .... Blanca !

Blanca Guerra as Concha is hypnotic to watch

Otherwise the film isn't carried by acting, that's not the thing with Santa Sangre, and there are mostly unknown actors, the sons of
Alejandro Jodorowsky, i.a. Axel and Theo, and an assortment of quirky figures and amateurs in the film. It works perfectly and makes
this film an unforgettable viewing, a Magic Chaotic atmosphere, beautifully shot and with cool music as Mambo and Simon Boswell.
A Surrealistic dream. Poetic and beautiful but intense and disturbing too.
The White-powdered slum residents eating the dead elephant, Concha, Queen of the Trapeze, Concha and her magic hands, Ruby
the Virgin, The Mambo danced on the prostitute street and let's not forget Aladin, the Dwarf.

Above: US Severin 2 disc 2010 unrated DVD edition with deaf-mute Sabrina Dennison as Alma

Jodorowsky has 4 of his sons taking part in the film and when i watched this film the first times i thought that Axel in the main role as
Fenix was a bit weak as an actor. But i changed my mind when re-watching it again lately as this "weak" portrayal suits him perfectly
in his role as a submissive tool to the dominating Mother. Axel Cristobal Jodorowsky may not even be an actor, but his Mimic talents,
his beautiful movements of his hands renders the film a poetic dimension that probably not many other actors could've managed.
I'm moved and a bit shaken by the images and the beautiful soundtrack by Simon Boswell and the emotions this film evokes.

But for sure, the deaf-mute american girl Sabrina Dennison is good as Alma, Thelma Tixou is eye-catching as the tattooed woman,
and also the players in the small roles, as the Dwarf, the old clowns, as the young Alma and as Theo Jodorowsky as the pimp are fine.

The Story:

Welcome to the rough part of México City and the family drama in Circus Gringo. The star, the huge knife throwing Gringo Orgo (Guy
Stockwell) is married to the trapeze artist Concha (Blanca Guerra) and with their 8 year old son Fenix as a magician (played by Axel
Cristobal Jodorowsky as a grown-up). There are also a dwarf, some clowns and the tattooed lady (Thelma Tixou) with her deaf-mute
daughter Alma (played by Elenka Tapia as young, and by Sabrina Dennison as a grown-up).

The Mother, Concha is a devoted (eeh, maniacal) worshipper of the "The Church of The Holy Blood" with it's Saint being a rape
victim, a young female martyr that had her both arms cut off. A poor mans church built in a poor mans neighbourhood and built with
scraps. The following scene with Blanca Guerra's Concha in front of the Church trying to save it from being demolished by machines
is unforgettable, what crazy power she exudes and kudos to Blanca for her performance.
Then after this, an even more unique scene follows, The Elephant Burial, and then the traumatic scene that caused Fenix hospitalization
in an asylum. All these amazing scenes are an intro to the grown Feniz being released and how he again meets the Tattooed woman
and .... His Mother.

The Italian producer Claudio Argento wanted to sell the film to the US market, and it was shot in english which do result in some
broken english spoken, but that doesn't diminish Santa Sangre from it's surreal magic quality.

Severin 4K UHD 4 disc edition:

The US 4K UHD edition presents the film in widescreen 1.85 with an english DTS-HD 5.1 or english DTS-HD 2.0 audio and with
english subtitles (also spanish and italian audio mono available). Extras on the 4K UHD disc 1:
Audio commentary with Alejandro Jodorowsky and journalist Alan Jones, New Blood: Alejandro Jodorowsky on the restoration
of Santa Sangre (32 minutes, 2020), Deleted scenes with commentary by director (7 minutes), Theatrical trailer and with eight
Collector Cards

Disc 2: Blu-ray feature film

Disc 3: Blu-ray with extras:

Forget everything you have ever seen - The World of Santa Sangre: Feature length Documentary with co-writer, director
Alejandro Jodorowsky, actors Axel Jodorowsky, Blanca Guerra, Thela Tixou, Sabrina Dennison, Adan Jodorowsky, Elenka Tapia,
Teo Tapia, co-writer Roberto Leoni, composer Simon Boswell, designer Sergio Arau (96 minutes),
Interview with producer Claudio Argento (38 minutes, 2020), Interview with cinematographer Daniele Nannuzzi (42 minutes, 2020),
Interview with executive producer Angelo Iacono (36 minutes, 2020), Interview with editor Mauro Bonanni (21 minutes, 2020),
Interview with screen writer Roberto Leoni (29 minutes, 2020), Santa Sangre: 30th Anniversary celebration, Mexico City (10 minutes),
Goyo Cárdenas spree killer: Documentary (17 minutes), Jodorowsky 2003 interview (33 minutes), Jodorowsky on stage Q&A (25
minutes, 2002), Echek - Short film by Adan Jodorowsky (4 minutes), Simon Boswell interviews Jodorowsky (8 minutes, 2010),
Simon Boswell Music video "Close your eyes" and a Simon Boswell short: Blink Jodorowsky

Disc 4: Original Soundtrack CD

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The US Severin 2 disc DVD presented film in a 1.85:1 widescreen ratio, with an english original audio 2.0 (or with dubbed spanish
or italian without english subtitles). Extras: an audio commentary with journalist Allen Jones and director Alejandro Jodorowsky in
english, Deleted scenes with commentary by Jodorowsky, a Theatrical trailer, a Japanese trailer and some Severin trailers.

On Disc 2 the extras:

Forget Everything You have Ever Seen: The World of Santa Sangre (a fantastic 96 minutes 2011 documentary by Severin) with
interviews and discussions with the director Alejandro Jodorowsky and the cast: with his sons Adan and Christobal/Alex, with
Argentinian actress and dancer Thelma Tixou, Mexican actress Blanca Guerra, Sabrina Dennison (grown Alma), Elenka Tapia
(young Alma) and with the scriptwriter Roberto Leoni and the soundtrack composer Simon Boswell.
An unusual documentary as everyone involved seems to be happy having been involved with making a cinematic masterpiece.

For One Week Only - Alejandro Jodorowsky: British TV program with cult film lover Jonathan Ross from 1990 (32 minutes), Goyo
Cárdenas Spree Killer: a mexican expert tells about the Serial Killer that inspired the film (17 minutes, 2001), On Stage questions &
answers with Alejandro Jodorowsky from London 2002 (24 minutes, Blue Underground 2003), Interview with Jodorowsky (7 minutes
2010), Blink Jodorowsky (Short, Simon Boswell), Close Your Eyes (Music Video, Simon Boswell), E Check (a Short film by Adan
Jodorowsky with commentary from Alejandro Jodorowsky